DECONSTRUCTION OF SIGNS IN THE SPIRITED AWAY ANIME: EXPLORING THE SEMIOTICS OF UMBERTO ECO BY HAYAO MIYAZAKI
DEKONSTRUKSI TANDA DALAM ANIME SPIRITED AWAY: MENELUSURI SEMIOTIKA UMBERTO ECO DALAM KARYA HAYAO MIYAZAKI
DOI:
https://doi.org/10.22216/kata.v8i2.3179Keywords:
Anime, Hayao Miyazaki, Spirited Away, Semiotika Umberto EcoAbstract
"Spirited Away" is an anime by Hayao Miyazaki produced by Studio Ghibli. This anime is packaged with neat visuals and messages with a rich fantasy narrative and symbolism that reflects culture, values and social criticism. This research explores the signs and hidden meanings in the anime "Spirited Away" which is studied using Umberto Eco's semiotic approach. Analysis includes visual signs, visual symbols, linguistic signs which examine the use of language to reveal its role in building meaning as well as analysis of narrative signs. The method used is a qualitative descriptive method. The data analyzed in the form of sentences, objects and gestures. The results of the research show that the character Chihiro is interpreted as a representation of the transition process from adolescence to adulthood. Loss of identity and fear in a new world are interpreted as symbols of teenagers' fear and uncertainty in facing the future. The anime's unique setting, with a combination of the real world and the magical world, is an interesting sign. The magical world presented in the film, with its various rules and fantastic characters, can be interpreted as a reflection of human social and cultural reality. The real world represented by Chihiro's human world can be interpreted as a symbol of a reality full of challenges and pressure.
Downloads
References
Aart, V. Zoest. (1993). Semiotika: Tentang Tanda, cara Kerjanya dan Apa yang kita Lakukan Denganya. Yayasan Sumber Agung.
Agustina, R., Hartati, Y. S., & Zulfitriyani, Z. (2023). Oral Tradition Of Mitoni Java Culture In Padang Villagebintungan Dharmasraya District (Semiotic Study): Tradisi Lisan Budaya Jawa Mitoni Di Dusun Padang Bintungan Kabupaten Dharmasraya (Kajian Semiotika). Jurnal Kata, 7(2), 245–256.
Alfandi, Yusuf. D. E. Nurati. S. (2017). Analisis Semiotika Roland Barthes:Film Animasi Spirited Away Dalam Representasi Nilai Moral. I(1), 1–75.
Altman, I. (1975). The Environment and Social Behavior: Privacy, Personal Space, Territory, Crowding. . Sage Publications.
Annisa, R., Hastjarjo, S., & Anshori, M. (2014). Representasi Nilai Kesetiaan Anak Kepada Orang Tua Dalam Film Animasi Spirited Away: Analisis Semiotika terhadap Film Animasi Spirited away Karya Miyazaki Hayao. Program Studi Ilmu Komunikasi Fakultas Ilmu Sosial Dan Politik Universitas Sebelas Maret Surakarta.
Aristoteles. (2018). Retorika (Seni Berbicara) (Dedeh Sri Handayani, Ed.). Basabasi.
Asmawati, Nensilianti, & Faisal. (2023). Representasi Budaya Lokal dalam Novel Manusia Belang Karya Alfian Dippahatang: Kajian Semiotika Budaya Umberto Eco. SOCIETIES: Journal of Social Sciences and Humanities, 3(2), 224–234.
Candra, B., Idah Hamidah, & Diana Puspitasari. (2021). Kepercayaan dan Praktik Shinto dalam Anime Noragami. Kiryoku: Jurnal Studi Kejepangan, 5(1), 112–121.
Cavallaro, D. (2014). Anime and the Visual Novel: Narrative Structure, Design and Play at the Crossroads of Animation and Computer Games Media. McFarland & Company.
Creswell, J. W. (2010). Research Design Pendekatan Kualitatif, Kuantitatif, dan Mixed. Pustaka Pelajar.
Danesi, M. (2012). Pesan, Tanda, dan Makna: Buku Teks Dasar Memahami Semiotika dan Teori Komunikasi. Jalasutra.
Dani, S., & Dewa, A. (2023). Nilai Moral Pada Dialog Dalam Serial Anime Naruto Shippuden: Analisis Semiotika Ferdinand De Saussure. Magenta Jurnal Ilmiah Komunikasi Dan Media, 7(2), 1112–1120.
David, B., Kristin, T., & Jeff, S. (2013). Film Art : An Introduction. McGraw-Hill Education.
Eco, U. (1986). Semiotics and the Philosophy of Language. Indiana University Press.
Eco, U. (2009). Teori Semiotika. Kreasi Wacana.
Edward. T. Hall. (1966). The Hidden Dimension. Doubleday.
Ekman, P., Wallace V.Friesen, & Silvan S.Tomkins. (1971). Facial Affect Scoring Technique: A Standard Method for Measuring Facial Movement. . Consulting Psychologist Press.
Fairuz, & Efraim, J. J. (2023). The Representation of Hare Onna in Anime Tenki No Ko By Makoto Shinkai. International Journal of Scientific Research and Management (IJSRM), 11(09), 1463–1478.
Field, T. (2014). Touch: The Science of Human Connection (second edition). MIT Press.
Frazer, S. J. G. (2018). The Golden Bough: A Study in Magig and Religion . CreateSpace Independent Publishing .
Indah Sari, F. N., Suseno, & Mulyono. (2013). Konsep Nrima Pada Novel Pengakuan Pariyem: Kajian Semiotika Umberto Eco. Jurnal Sastra Indonesia, 2(1), 1–11.
Littlejohn, S. W. (2009). Teori Komunikasi. Theories of Human Communications. Salemba Humanika.
Matsubara, S. (1987). Sejarah Kebudayaan Jepang Sebuah Perspektif (S. Dashiar Anwar, Ed.). Kementrian Luar Negeri Jepang.
Noviana, F. (2019). Representasi Hero’s Journal padaTokoh Chihiro Dalam Anime Spirited Away. Izumi, 8(1), 52–64.
Paut, R. A. I. (2023). Representasi Kebohongan Tokoh dan Pihak Produksi dalam Film “Layangan Putus” Karya Mommy Asf (Kajian Semiotika Umberto Eco). . Universitas Nusa Cendana.
Piliang, Y. A. (2010). Semiotika dan Hipersemiotika : Gaya, Kode, dan Matinya Makna (2nd ed.). Matahari.
Piliang, Y. Amir. (2003). Hiper Semiotika. Jalasutra.
Pratista, H. (2017). Memahami Film (E. Damayati, Ed.). Homerian Pustaka.
Regita, A. (2023). Oral Tradition of Mitoni Java Culture in Padang Village Bintungan Dharmasraya District (Semiotic Study). Jurnal Kata, 7(2).
Sudaryanto. (2015). Metode dan Aneka Teknik Analisis Bahasa. Sanata Dharma University Press.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Jurnal Kata
This work is licensed under a Creative Commons Attribution 4.0 International License.
